S t e v e   A n d e r s o n

    http://iml.usc.edu/remix/anderson
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home |publication | projects | teaching | awards

 
service


 

     

administration

Director, Media Arts & Practice PhD Program

Direct newly created, interdivisional PhD program in School of Cinematic Arts, 2007-Present



 
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Director, Honors in Multimedia Scholarship Program

Designed and directed four-year, interdisciplinary undergraduate honors program, 2004-07



 
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Associate Director, Institute for Multimedia Literacy

Design and implementation of campus-wide programs in multimedia scholarship, 2004-07



 
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  program development
 

Co-designed curriculum for four-year undergraduate Honors in Multimedia Scholarship program

Co-designed curriculum for campus-wide Multimedia in the Core program

Designed Practice of Media Arts course for Media Arts & Practice PhD program

   
curating

24/7: A DIY Video Summit

Co-chair (with Mimi Ito)


Three-day international conference and festival at USC, Spring 2008
 
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The Digital Handmade

Curator, screening program; moderator of panel discussion for artists


Networked Publics Conference and Media Festival, Annenberg Center for Communication, Spring 2006
 
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Political Remix

Co-curator, screening program and interactive display


Networked Publics Conference and Media Festival, Annenberg Center for Communication, Spring 2006
 
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Blur + Sharpen

A screening series for recent digital media


USC, 2001-present
 
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Race in Digital Space 2.0 Digital Salon

An evening of performances, screenings and interactive artwork for the RDS 2.0 conference


USC, 2002

 
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Los Angeles Filmforum

LA's oldest screening venue for experimental film and video

Board of directors, Spring 2000-present

 
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  presentations


Invited presentation: "Interface Epistemologies: Designing New Paradigms of Knowledge" at American Comparative Literature Association conference, Spring 2008

Invited presentation: Respondent to Tracy Fullerton, "The Potential of Play: Digital Game Innovation" at Getty Research Center Works in Progress Lecture Series, Spring 2008

Panel Chair: State of the Art at 24/7: A DIY Video Summit with Henry Jenkins, Alex Juhasz, Juan Devis, Sam Gregory and Thenmozhi Soundararajan, February 2008

Workshop leader: Designing Interactive Narratives at 24/7: A DIY Video Summit, February 2008

Invited presentation: "Scholarship at the Interface" at Harvard Digital Humanities Center, November 2007

Invited presentation: "Multimedia Literacy in Higher Education" WASC Annual Conference, San Jose March 2007

Panel Chair: "The Roots and Future of Remix" at TransFormations I: Remixing the Archive, November 2006

Workshop: "San Jose Remixed: An Open Source Interactive Narrative Workshop" at ISEA (Inter-Society for Electronic Arts) San Jose, Summer 2006

Panel Chair: "The Future of Digital Education" Panel discussion held in Second Life, November 2006

Paper presentation: “Coming to Terms with the Digital Avant-Garde” Inter-Society for Electronic Arts, San Jose 2006

Poster session: "Re-Imagining the Electronic Journal" at Inter-Society for Electronic Arts, San Jose 2006

Workshop: "Designing Interactive Documentaries" SIGGRAPH Guerilla Studio, Boston 2006

Workshop: “Experiments in Interactive Panoramic Cinema” Electronic Imaging Science and Technology Symposium, San Jose 2006

Invited presentation: "Open Source Scholarship" Massive Multimedia Database, Annenberg Center for Communication, 2006

Invited presentation: “From Paper Prints to Fast Film: Techno-Syncretism and Digital Materiality" Andrew W. Mellon postdoctoral lecture, Swarthmore College 2003

Paper presentation: “Steal This Archive: The Demise of Intellectual Property in the Digital Millennium” Society for Cinema Studies, Denver 2002

Paper presentation: “Past Indiscretions: Interactive Media and Recombinant History” Visible Evidence IX, Brisbane, Australia 2001

Paper presentation: “Where History Lies: Fact, Fiction and the Margins of History” Society for Cinema Studies, Chicago 2000

Panel chair: Spatializing History and Memory Interactive Frictions, USC 1999

Paper presentation: “Landscape Historicide: Textualizing the Past in James Benning’s Southwest Trilogy” Visible Evidence VII, UCLA 1999

Panel chair: Hollywood Cinema/Visionary Film Society for Cinema Studies, San Diego 1998

Paper presentation: “Dis(re)membering the Past: Experimental Film and Narrative History” Society for Cinema Studies, San Diego 1998

Paper presentation: “Politicizing the Past: The Materialist History Films of Jean-Marie Straub and Daniéle Huillet” Making/Unmaking History, USC 1998

Paper presentation: “Appropriated Images: Home Movies and Autobiographical Film” Visible Evidence V, Northwestern University 1997

Paper presentation: “Creative Remembering: The Significance of Anti-Realist History on Film and Television” International Association of Media and History Salisbury State University 1997

Film screening: With/out Regret(s), Visible Evidence III, Harvard University 1995


 
 
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committees

Chair, Media Arts & Practice Steering Committee, USC School of Cinematic Arts, 2007-Present

Member of E-learning Committee, USC School of Cinematic Arts, 2006-present

Member of Curriculum Committee, USC School of Cinematic Arts, 2007-Present